In Agreement and Head Movement, Ian Roberts explores the consequences of Chomsky's conjecture that head-movement is not part of the narrow syntax, the computational system that relates the lexicon to the interfaces. Unlike other treatments of the subject that discard the concept entirely, Roberts's monograph retains the core intuition behind head-movement and examines to what extent it can be reformulated and rethought. Roberts argues that the current conception of syntax must accommodate a species of head-movement, although this operation differs somewhat in technical detail and in empirical coverage from earlier understandings of it. He proposes that head-movement is part of the narrow syntax and that it applies where the goal of an Agree relation is defective, in a sense that he defines.

Try our all courses tutorials — every online course includes free video tutorials. Become a member to keep learning, with unlimited access to the subscription library.

Roberts argues that the theoretical status of head-movement is very similar -- in fact identical in various ways -- to that of XP-movement. Thus head-movement, like XP-movement, should be regarded as part of narrow syntax exactly to the extent that XP-movement should be. If one aspect of minimalist theorizing is to eliminate unnecessary distinctions, then Roberts's argument can be seen as eliminating the distinction between 'heads' and 'phrases' in relation to internal merge (and therefore reducing the distinctions currently made between internal and external merge). Linguistic Inquiry Monographs 59.

This is quite simply The BOOK that changed my approach to composition. The book that brought me up a whole new level as an artist able to understand composition. A definite reference and forever book for any artist looking to acquire more knowledge and take the right steps in getting there. The one element I particularly enjoy is the layout: carefully thought through and user-friendly. This adds heaps to the enjoyment of learning something that can be down right boring. Roberts keeps all the elements he wants us to discover flowing smoothly and effortlessly on well written, illustrated and printed pages.

This edition also comes with a cd. A wee bonus to help highlight and explain the content of the manuscript by visually illustrating the essentials explained in the hardback. Since reading Ian Robert's book, I find myself frequently referring back to it, finding inspiration and new answers. Just in the same keen way Katherine Tyrell recommended this read on her blog, I am adding my own support and enthusiasm. Highly recommended. (More pictures at parkablogs.com) This is a useful resource for on the subject of composition.

It's for artists, beginner to advanced. If you can't quite grasp the subject, this is a good book to start with. Ian Roberts is a great teacher and you can tell from the clear breakdown on the subject, making it easy for understand what makes a good composition. He also provides numerous drawing tips as well, like the basic mistakes to avoid, control of edges, and helpful exercises to train the mind to see and think about composition. The book covers the common armatures which are the basic structure behind every composition. There are also lessons on cropping and framing using values and colour shape. The lessons are illustrated by lots of examples, mostly painted by himself.

They are mostly landscapes, still life, and a tiny bit on portrait. The painting demonstrations included are very detailed, down to the type of colours used. The accompanying DVD shows examples of the techniques that are used to improve composition, before and after the changes were made. You can see how even little color changes can affect composition.

These are also lessons in the book which are presented in the video. Highly recommended to all artists. Visual foxpro tutorial. I studied art in a special program at the high school level, and studied Independent Illustration at the college level. I still felt that there were things I could learn to improve my composition and painting though, and I thought this book sounded promising. I am happy to say that I learned a lot from this book.